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Nonfiction is a space where people can share personal stories, set down facts, chronicle injustices, and do so in a lasting format. The perpetrator of the massacre in Atlanta overwhelmingly targeted Asian women who didn’t have the luxury of working from home in an already dangerous pandemic.
This week, we’re going to look at some titles by East Asian writers and focus on the creativity and vibrancy they have brought into the world, in contrast to the destruction and desolation of this past week.
The Making of Asian America: A History by Erika Lee
History professor Lee tells the story of Asians in America, including Chinese, Japanese, Korean, and Hmong (among others) from the 16th century (when people came to what is now California from Manila) to now when Asian Americans are treated as America’s “model minorities.” This was published in 2015, so it goes up to pretty recent events, but just misses the last presidency.
They Called Us Enemy by George Takei
Activist and beloved actor Takei shares the painful story of his family’s time in multiple Japanese internment camps during World War II. Ever since I read Maus, I’ve been a proponent of the graphic novel as memoir/biography, and this is an example of how the genre can be used to illustrate the more visual impressions of childhood. The story is a reminder of an extremely harmful and recent event in our nation’s history that is nevertheless rarely taught in school.
China in Ten Words by Yu Hua
Yu Hua picks ten common Chinese words and, through each one, illustrates something about Chinese history and culture, using anecdotes and facts. The words and phrases — people, leader, reading, writing, lu xun, revolution, disparity, grassroots, copycat, and bamboozle — each reveal something unique about “the Chinese experience over the last several decades.” Yu Hua has written novels and short story collections. This is his only book of essays.
The Magical Language of Others by E.J. Koh
When Koh was fifteen years old, her parents left America (where they had arrived ten years earlier) and went back to South Korea, leaving her and her brother in California. Over the years, her mother writes her letters in Korean, apologizing, “letters Eun Ji cannot fully understand until she finds them years later hidden in a box.” This is a story of “hard-won selfhood and our deep bonds to family, place, and language” told by an acclaimed poet.
If you are looking for a way to donate, NY Magazine has this resource: “68 Ways to Donate in Support of Asian Communities.”